Tag: nature

Baba’s Last Journey Part 6, Godzilla for your Garden

Find me a flower

Back at the house, everything is getting a lick of paint ready for the wake-keeping and guests. The blockwork perimeter fence (all boundaries are called fences here, even if it’s a wall) are being rendered and painted a uniform light grey, and posters of Baba are being spaced along its length, inside and outside. In the yard, there is a narrow planted border held by kerb stones painted alternate black and white, which really needs some extra plants to fill in a few gaps.

mixing 2
Mixing the render for the outside fence

We need a garden centre. Is there such a thing in rural Osun? The nearest thing we will find are the roadside plant sellers, with their collection spread out under the cool shade of trees, with flowers and shrubs for sale grouped in rows and blocks for ease of watering. We take Suraju with us to a plant seller on the outskirts of town. We pull up on the side of the road and a girl approaches. We explain what we’re looking for and are invited to have a good look around.

The terrain was a little tricky so Toyin stayed in the van. I’ll have a look around, take snaps of likely candidate specimens on my smartphone, and back at the car we can negotiate a price. As a method it worked well, overcoming some language difficulties at the same time. Everyone informed, very democratic.

The plants are laid out on a slope partly shaded by trees, across a shallow ditch running with clear water. Some tadpoles are floundering on the plank which dips into the water as I put my weight on it. I rescue them by carefully flicking them back into the stream, and point them out to a young girl standing close by. I can tell she thinks I’m crazy. There are large sculptures for sale, of dinosaurs (Godzilla, really), ostriches, and what appears to be a group of World War 1 life-size soldiers. Close inspection reveals them to be a type of concrete render over a fibreglass base. Not sure I’d have one but they do have a certain quirky charm.plant seller

We also need palms and potted plants to give the house a finishing touch ready for the visitors. Also a good idea for the family house in Isale Osun, but we figure we can hire those, even though they may be eaten by the goats.

The soil at the house would benefit from any manure we could find to give the new plants a boost. Suraju makes a call. On our way into town he directs us down this street and that until we pull over at a point he has arranged to rendezvous with a couple of middle-aged men in traditional attire who are carrying shovels. The three of them are in animated conversation in the back of the mini-van as we arrive at the top of the road leading to the Osun Sacred Grove.

It is dusk, and the light is fading. We pull up over a stream winding its way through the undergrowth and litter. One of the men descends (nimbly, for his age) down the steep embankment and begins clearing a patch to access the silt underneath, bagging it as he goes, complete with bits of plastic rubbish. This is our compost, and will serve us well. Perfect material to give our flower borders a nutritional boost. The men disappear off back to their neighbourhood on foot after loading the bags and saying goodbye. Job done.

Night Drive

As we are near the entrance to the Osun Grove, we take the opportunity to drive through and out the other end, on what is oddly called Osun Grove Street, passing through water and deep muddy potholes, out to the unfinished outer ring road. I’m keen to walk this road one day, so it would be useful to see where we eventually come out. A couple of times Suraju gets out of the van to physically check the best way past various hazards.

It is very nearly dark by now, which only adds to the atmosphere, the magnificent trees silhouetted against the purple and indigo last light in the sky. Scattered houses show themselves by their square yellow lamplight. There is no knowing how far away they are, or what nocturnal forest dwellers are in between. Some bats and all sorts of moths and bugs pass in and out of the lamplight as we make our way down the ochre yellow dirt track that eventually leads us onto the new ring road and back into town. To me this is all very exciting. and I absorb everything like an enthusiastic schoolboy, and get to know a little more about the territory and its wildlife. Home for pepper chicken, bitter leaf, sweet potato and a chilled mango. If there are any left!

nightdrive dog
Driving through the forest by the Osun river out to the ring road

Into the Sahel part two

The sun is high as we weave slowly down an axle breaking dirt road into the bush. After every obstacle, our man looks round to check our progress and waits for us to catch up. On either side of us the pink granite-like rocks glitter as the sun catches them. The leafy green bushes are interspersed with small trees of various shapes, and as always I keep an eye out for birds. The track rises through the high ground and down into a flatter plain where small scale agriculture again dominates. Over to our right, people are gathered in the deep shade of the low trees, and we wait briefly while the site engineer is found and advised of our arrival.

We arrive at the mine, and while we wait for the engineer following, it is a relief to sit in the shade and feel a slight breeze. We enter through the gates and as it is Sunday, no-one is working. There are Chinese workers here, and they are taking delivery of their bottled water supply. Looks like enough for a month, though in this heat, perhaps not.
“Welcom from Ingaland” shouts the loud and curious security guard with the Kalashnikov. After brief introductions, our mini tour begins. We pile back into the pick ups and drive the short distance up the hill from the compound. It’s too hot and too steep to walk.

bushcollagelo
Our tour guide, the mine engineer, is from Cameroon and studied in Belgium, he says.
We are looking at a large, dynamited water filled crater, where serious operations began only a year ago. Back down the slope, we are shown the massive machines that break up the rocks and the whole process is explained in Pidgin English and a little Hausa. The view from here is spectacular, with mile after mile of green wooded hills as far as the eye can see, and so I think about this site in context of the landscape. I could describe it simply as a large hole in the ground, a blot on the landscape, surrounded by derelict equipment and broken vehicles, but that would be unkind. The people that are showing us around are visibly proud of what has been achieved here, the 24 hour operation recently hitting the vein of gold. Unfortunately container loads of unprocessed rubble holding gold and whatever else within regularly leave for further processing in China, something the new government would like to change.

As we leave, the security guard again cheerfully shouts “Welcom from England.” I smile and wave convinced I’ve made a new friend, should I ever pass this way again.minecollagelo2

Another slow drive along the trail leads us to the mining camp. The river to the left is running at a trickle through the grassy clearings and shrubby thickets, with deeper pools spread out across the bed of pink sand and boulders. Picturesque is the word that comes to mind, even though we are in a harsh and obviously unforgiving environment.

It is mid afternoon as we arrive at the camp. There are dozens of young men here gathered under the trees. Cooking pots and fires, machines and tarps are dotted around, but there is no mining machinery here as yet. Many men carry long machetes.

Advanced word has been given of our visit as everyone is paying attention except for one or two who are lying down out for the count – there is an amount of weed smoking and glue sniffing here. Some young girls from local villages are selling food and cooking for the men. Staying close to home and with little or no ‘education’ these girls are hoping to find a husband here, something of a cultural imperative, then. The makeup they are wearing shows that they are available. The eldest is barely 14.

mininggirlslo

 

Jumoke gets an update from the young graduate who supervises the site, while we take photos. There is a lawless atmosphere here, and the young men digging in the dirt all know the risks they take. For instance, just feet away from the gathering are hand dug holes in the ground that looked to be several metres deep – I couldn’t see the bottom. A definite hazard even in daylight, I dread to think what can happen here at night.

We leave later than planned, and as the sun casts long shadows across the crops, I watch all black, red eyed fork-tailed drongos flying off from low perches to catch insects, my thoughts turning to the obvious and stark culture differences I’m seeing on this trip. There will be more. The long straight roads back to Kebbi are in good enough condition for Sanusi to speed along at a reasonable lick, travelling at night here has it’s own dangers. Making allowances for other road users with no lights, too much light, and Fulani cattle herders, we arrive safely back in Kebbi just after dark. I’ve not had many days like this one.

 

The owl sees me

This image is a slight departure as I’ve used cut and torn paper to tell the story and simplify things. It’s the moment when you are confronted by the unexpected. On a late afternoon visit to the rough field behind the cottage this barn owl and me surprised each other around the headland shrubbery. I was aiming at capturing the suddenness of it all.

The paper is nearly all Ingres pastel paper with a piece of old oil painting block, now
too brittle to paint on. Although the landscape is described with torn paper, there were
still some decisions to make with placing and colours. I cut out a dummy owl from
plain white paper to position it until it felt right. Cutting the bird off the edge of the frame is crucial, as is the angle, it gives the sense of surprise and urgency I was after. In the event, the bird was quite indignant, and performed a mini hover and let out a harsh squawk, before flying off in the opposite direction!the-owl-sees-me

Rolling shadows

Here are two watercolour sketches of cloud shadows rolling across the new spring crops.
The high hedges of Holly Grove Road wind their way to the Hertfordshire village of Bramfield, passing farm cottages on the right hand bend, in front of a large field of rapeseed in full flower.
An irresistible yellow when in full sun, in shade the crop can appear almost greenish.
The clutch of roof angles together with the contrast between the purple-grey slate and
the saturating yellow caught my attention. There are calm pastoral scenes
still to be found in today’s agricultural landscape, but these pumped-up, urgent and vibrant scenes are now commonplace and dominate today’s countryside.

slate-and-canola-sm-crop-april-2014-wartercolour

On a Saturday morning in early March, the gently rolling fields near Tewin are silent, save for a light aircraft circling nearby and an early skylark rising to sing loudly behind me. The clouds pass by quickly, continuously changing shape, their shadows race across the land, throwing the field’s contours into contrast.
The tree covered green lane in full sun bends around and up to the wood, which is in full shadow just for a few seconds as cloud passes over.

shadows-tewin-watercolour-1-march-2014-crop

Harbinger

These are interpretations of some false colour images of C2012 S1 Ison, currently speeding it’s way towards the sun at 2 million miles a day, having entered our solar system for the first time.

comet-2-oil-pastel-on-tinted-paper
Seems a bit weird to draw something that is traveling that fast on an A4 sheet with just a few pastel strokes. Comets have been seen and recorded for centuries, sometimes spookily called harbingers of doom. Said to be an icy body that, when passing close to the sun, heats up and loses gases to form the “coma” and tail, sometimes visible without a telescope if bright enough.

With this blue version, adjusting the colour values of the scan resulted in this
cool 3d type effect… Something that might work well on a large scale, I settled for this modest size canvas
for now. Ison may never come back, but it’s just amazing to me that all this stuff is out there, beyond what we could ever hope to hold in our hands.
I once introduced a friend to vegetable gardening, walking in the woods, taking photographs, the pleasures of seeing, not just looking at nature. In her open minded and naive way she used to say “Isn’t nature great!” How right she was.

falsecolour-comet-acryliccomet-oil-pastel-on-tinted-paper

Get out there and do it

Get out there and do it: when the weather looks unkind – too dull, too dark, too cold –
go anyway, something invariably turns up that you would otherwise miss.

In a quiet country lane nearby I parked up and strolled a few yards along the road looking this way and that for a nice composition to reveal itself, and stopped just past a tree lined bend. The sky was clear, the sun had gone down leaving a cool transition between coral red, orange, gold and duck egg green, turning imperceptibly to cobalt and then indigo blue above my head. A hunting barn owl coursed up and down a metre or so above the long grass meadow, then up over the willows and on to the next patch, minutes later appearing again to try it’s luck one more time. I made a rapid pencil sketch on the spot, and tried to do something with it back indoors.Bumfords Lane dusk

I started out thinking I would produce a coloured ink drawing but almost from the start it was not going well. Persevering, I ended up working over the whole thing in oil pastel and although I like the result insofar as it conveys my excitement at the colour, the feeling of cold air on my face and the fast approaching darkness (and seeing the owl of course), it wasn’t the picture I had in my mind’s eye…a situation I’m sure many artists find themselves in from time to time!Bumfords lane with barn owl

A walk in the woods

Sometimes activities and events can reveal something you might otherwise overlook.
My local wood is jointly owned by the Forestry Commission and Essex County Council
and is managed by coppicing. Patches are felled in rotation and some trees left standing
including the odd dead one.

aug 27 09 charcoal sketch
chalkney wood, charcoal sketch

In August 2009 I made a quick charcoal sketch of this lone dead oak newly
exposed in the open, when previously it had been hidden deep in the wood
surrounded by its neighbours. This exposure now reveals clearly how the tree
has twisted and turned over its lifetime stretching for its share of the light.
Now it is home to a family of woodpeckers, and hornets, other wasps and bugs
all buzz around it. Its life as a living tree may be over, but its contribution to the
health of the wood goes on.

I made a couple of large drawings of the tree on consecutive weekends using ink.
The drawing below shows how the trunk has been split as the whole tree has
twisted on its axis, revealed by the peeling bark. I mixed colours on the spot
from bottles and jars and at times felt like some mad scientist in a laboratory.
Techniques including mist spraying of water, so that the ink runs unpredictably,
using clear wax resist and scratching into the paper all helped to add texture
to the drawings.

old oak, evening, coloured inks

split trunk may 20011 ink
twisting split trunk

The hidden beauty in grey

July 2nd 2010: A warm, sticky night. The heavy scent of honeysuckle in the air attracts a pine hawk moth, which can’t resist the light inside and flies indoors through the open patio doors. Conveniently resting on a flat surface, I take the opportunity to do a quick sketch with a biro and make some notes. Letting the moth outside, cupped in my hands, the strength of its flapping wings against my palms was so strong, it felt more like a small bird than an insect!

sketch book moth
Pine hawk moth at rest on my drawing board, quick sketch

 

Next evening, the moth was back, at dusk, just when it is hard to see straight ahead, but the skyline is sharp and the contrast is clear. Flapping then gliding, then flapping again, the moth danced over the honeysuckle in silhouette. A beautiful sight. I decided to make an illustration showing the moth at an exagerated scale in a suburban setting. Using charcoal would emphasise the soft atmosphere of dusk, when all edges seem to merge. The overall effect I was after was that of a period book illustration. After working out the layout of the drawing on a small scale in my sketchbook, I settled on a composition and drew quick studies of each of the main elements, honeysuckle, chimney, tiles.

The picture is all about atmosphere though, so I was careful not to include too much observable detail.

sketchbook_scamp
scamps planning the composition
sketchbook2
gliding effortlessy across the honeysuckle, in silhouette
pine hawk moth, charcoal
Pine hawkmoth, charcoal, 40 x 59 cm

 

Close up, the beautiful irridescent greys and subtle browns of this animal were stunning,
effortlessly gliding acrooss the dusk skyline.  This is the picture of that moment.