Tag: Osun State

Baba’s Last Journey Part 9: Wake-keeping day and night

May 13th

Up early to witness the goings on in the back yard. The air is slightly misty and cool before the sun comes up. I’m already too late to witness the slaughter of cow number one, which is now pumped full of air, I’m told to make it easier to clean off the hairy coat from the skin. There is the inevitable comparison to Pink Floyd’s famous inflatable pig from the “Animals” album cover. Some boys look on before starting work on the cobble driveway again. Nothing is wasted. Our slaughter man proceeds to dismember the animal on blood soaked concrete and plastic sheeting. There are no prime cuts here, just meat and skin in chunks. When served up, it’s a matter of luck if you end up with a piece of meat that isn’t very chewy and tough, but that’s how they roll here. I witnessed the demise of cow number two, took video and photos for my own education, I guess, but perhaps not suitable for display on this page. An education, certainly.

There is a general mood building, and has been for a couple of days, part excitement, part sadness. Austin has finished installing lights along the compound walls, inside and out, which are now newly painted and smart.

Baba Lawoyin’s immediate family, including myself, are wearing blue and silver outfits for the wake-keeping day. Waheedi the taylor and his team are late delivering them to the house, understandably as he has outfits for tomorrow, including friends and associates of the family to produce and deliver. It’s a big task. I am changed and ready. I have the honour of collecting Baba, together with eldest sons, from the mortuary at the hospital, where he has been ‘on ice’ since March.

At the hospital, we are invited to inspect the workmanship of the funeral parlour team in presenting Baba in perfection, led in his open coffin, looking at total peace. He is dressed in a glorious vintage style white cotton gown. It is hot in the sun, and the odour of the embalming fluid is too much for me and once experienced, is never to be forgotten. While discussions are held and we await the arrival of the hearse and the band, I seek the shade of the ward block nearby. The nurses have nice white uniforms with matching shoes and white bonnets with a red band, and appear to be a throwback to the 1950’s, but very smart. It is a peaceful, sunny morning, with a Woodland Kingfisher calling from a thicket in the hospital grounds, and butterflies flitting lazily past.

The bearers and the band arrive to escort the coffin back to the house, and we follow. The mini bus and the hearse stop 100 yards from the house, everyone gets out. The band strikes up their drum and trumpet tune suitably loudly and the bearers hoist the coffin aloft, the two dancing girls at the head of the procession. Family members are invited to carry the coffin (symbolically, the bearers always in control) and it is set down, raised up, turned around, and when down low, family again are invited to dance around it, laying money on top, as is tradition. It all looks flippant and casual, but is in reality tightly controlled and choreographed, and looks amazing. It’s a good twenty minutes before the procession reaches the courtyard and places Baba where he will rest for today and tonight, before the church service tomorrow.

The music continues. An elderly man no-one knows and dressed in a bright yellow kaftan is clanging two pieces of metal together rhythmically hoping for dash. A talking drum band play on throughout, people placing notes on their foreheads encouraging them. They respond with louder, faster drumming. People are dancing, taking photos and video on their phones, and there are many bystanders. Oscar shows off his dancing skills as Baba’s coffin is placed on its plinth. Austin mocks him playfully by pretending to place money on his forehead. It is a celebration of life, after all, and uplifting to witness.

Afternoon Service

When the dust has settled, there is still much to do. There is a constant supply of jolloff rice and sweet potato served, group photos taken, bottles of beer drunk. In the afternoon, the Pastor from the First Baptist Church, Oke Okanla, (where tomorrow’s service and burial will be held) arrives with his team and delivers a service in the yard complete with choir. The heavens open, lashing rain pours down but thankfully we are mostly kept dry by the awnings and canopy erected just hours before. On the table in front of the Pastor is one of Oscar’s batik designs. The official videographers somehow keep their equipment dry. The rain on the roof almost drowns out the words spoken, there is a service sheet, but everyone seems to know them anyway.

afternoon service

All night vigil

In the afternoon, ladies of all ages come from the old town, singing and clanging small metal bowls together, celebrating Baba’s life. They come into the house and sing and chant phrases led by an elder, and I guess, as in much of local custom, they have the opportunity to leave slightly wealthier than when they arrived… All are dressed in specially prepared and coordinated traditional attire with different blue and yellow schemes.
Infectious and emotional.

The ladies in the back yard were cooking food for tomorrow’s celebration feast, and would be there all night. There were stoves fuelled by gas, and the main fire was still going strong. Earlier the slaughter man had boiled the whole cow’s head, horns and all, in a large cauldron over this fire. He readily posed, without any prompting, holding a horn in each hand as if balancing the head in the cauldron. Today’s cheap plastic bowls and utensils are eye-catching and colourful, but I couldn’t help thinking that only a few decades ago, this would have all been done with grass baskets and clay pots. I was offered a meat roll, which was delicious. There are those that will sit with Baba all night, keeping a vigil, though I decide to get my head down for a while, as tomorrow will be the big day.

Busy all night in the back yard, this food is for the celebrations tomorrow, though I steal a delicious meat roll (top)

 

 

Baba’s Last Journey Part 8: The pressure is on

This morning the generator outside the window wakes me. When it stops, I can hear the long heavy trumpet sound of the (infrequent) train announcing its departure. There are no barriers or fences along the line, unlike in the West, and folk and livestock wander freely across the narrow gauge track going about their business. We bump over the line every trip into town. The grass grows in between the silver rails, and the litter billows up and settles as the heavy diesel locomotive rumbles on by, exhaust blowing blue in the heat haze.

I make my way to the kitchen, stepping over Austin and Ibrahim who are still sleeping in the darkened, open-plan dining room on a mattress and rolled up blanket. Ibrahim is muslim, and has the distinctive slightly hooked nose and dark complexion typical of Northern tribes. He drives, and is employed by Sister Jumoke as a handyman/general assistant, and has been brought down to Osogbo to help out. Many hands make light work. As I step outside, coffee (with fantastic, distinctively flavoured and near black local honey) in hand, I try my Yoruba with the boys. They like to try their English, and after hand slapping, finger-popping greetings (I rarely get the last ‘snap’ right) there is usually a few questions about the UK, and what it’s like outside Nigeria.

In the garden opposite, behind a high fence, are palms and masquerade trees, plus some other broad-leaved species. Some Grey Plantain-eaters, a type of Turaco, flap as if in slow motion into the top of a fruiting palm. We will be visiting the gentleman resident here with an invitation in the next few days.

It’s getting busier and the pressure is on, in an obvious way. The boys laying the stone on the driveway/courtyard, breaking stone up by hand and setting in dry mix concrete, have their work cut out. There are more boys to help, recruited by Ade. There are problems just when you don’t need them – isn’t that always the way? The big Nissan pick-up needs a tyre, and we are unlikely to get one of the right size today, it will have to come from out of town. This truck is dark navy blue, and I have an idea that people often think we are a government vehicle, such is the similarity, that we are often given a wide birth with it!

Baba’s Youngest son Ayo and senior son Segun arrived from Abuja last night. Segun is busy writing for the Order of Service and Celebration of Life booklet. It will be in English and Yoruba, and as usual with these things, running more than a little behind schedule. After all, there is a deadline! With Jumoke’s daughter Uzo arriving from Baltimore USA, and Toyin’s two younger sons Zack and Daniel arriving from the UK today, it will be busy. Out with Lalu and Maureen, we are sending packages from one of the bus stations in town. Seemingly chaotic with the blue suzuki mini-buses coming and going, parking at all angles on the deeply rutted bare earth yard, the man in charge behind his shuttered kiosk window barks instructions. He knows everything. All the destinations and numbers of the buses are handwritten on a well-worn chalk board on the wall next to the window, and I have no doubt it all runs smoothly despite the chaotic appearance!

Truck collage
I’m sure our truck passes for a government or police vehicle, which has its advantages! Bottom left, the Wara seller girls who happily posed for pictures, and right, Uzo causes a stir at the school in Isale Osun!

 

On our way into town I see a small boy rolling a tyre along with a stick. Timeless. Some other uniformed schoolboys call out as we drive by, calling me a “white black man” as they see I am in native dress and fila, a reply in English and wave goes down well, all good natured.
After the usual business of the day we buy some Wara from the girls we see regularly. They know us by now and give us first opportunity to buy from them. I have permission to take their photograph (Back home later in the year, I turn these into paintings on canvas). Suraju has been asking us for a picture of him and me, and when we get some prints made as a surprise, he is really chuffed. He invites me into his tiny wooden house in Isale Osun to see where he will place it. On the wall next to pictures of family members, I am honoured indeed. I travel the last mile of the journey back to the house with 40 eggs in a thin plastic bag on my lap. This time I manage not to break any, despite the deep potholes!

This evening we settle Uzo, Zack and Daniel into their hotel nearby, and have a drinking session on the verandah, a little bitten by the mozzies. We return up the hill to our house at nearly midnite. An old boy guards the wooden pole barrier that is lowered, and as he lifts it for us I see he has a hunter’s shotgun over his shoulder. No deterrent if you are determined, but comforting to note there is some community spirit.

Next morning I have a Guiness hangover, but I can blame my grouchy mood on the malaria tablets (so the small print says). With Uzo and Maureen, we visit the churchyard where Baba will be buried at the First Baptist Church, Oke Okanla, and the family house at Isale Osun, where we visit the school opposite the house for the first time. The kids are understandably unsure of what is happening – who are these people? They are sharing books and pencils between them, and Uzo is a little shaken by their lack of resources. Keen to help somehow, this we do on our last day here, more on that later.

Back at the house, two of the three cows arrive to be slaughtered, Halal style. The boys working so hard on the drive get really upset as the cows are walked across the wet concrete and a lot of shouting ensues, a fight breaks out and a machete is raised in self defence by a wide eyed boy. Bloody hell! Fortunately the situation is diffused, but for a moment there it was looking seriously dodgy.

cook-prep
The slaughter man poses with ‘cow number one’, as the veggies and peppers are prepared for the cook-up about to start. The boys worked on after dark to finish the courtyard, and are clearly exhausted, but still good humoured!

 

There are some guests arriving for the celebrations already, and introductions, handshakes and group photographs are ongoing. Some people have not seen each other for years, after all.
The slaughterman readily poses with ‘cow number one’ for me, and round the back of the house, catering supplies and all sorts of pots and pans, some the size of witches cauldrons, are being prepared. The slaughter man has his well-worn but hopefully sharp knives laid out neatly on top of a barrel. A big fire is lit. A group of ladies are preparing vegetables and peppers for the cooking up, and are singing and chanting. They will go on all night and into the morning. All of the boys are still here, some are bunked down for the night. In the lamplight, I chat with Oscar and Sikiru about the West, and food production, meat slaughter, packaged food, organic food, supermarkets. The differences between cultures, but all governments have agendas etc.

There is a definite sense of occasion, tense and exciting at the same time, like watching a clock ticking just before the alarm goes off. Tomorrow is a big day. The Wake keeping begins. First though, will be cow number one.

Baba’s last Journey Part 7: Are you having the fish?

Wednesday evening cousin Yomi took us to nearby Abeggi, or ‘bar behind the trees’ for a Guinness or two. Having a drink here is something of a tradition when we’re in town. Basically an open grass space with a bar and dj stage at one end, in front of a line of very tall masquerade trees. There are low clipped hedges around the perimeter, and very little lighting. The outdoor tables and chairs are the stackable, plastic type, and easy to move around when it rains (frequently). The waitress service is quick and the music is foot-tapping good. It is always a good idea to cover up though, as the mosquitoes are always ready and waiting. Last year three of us were sat here, Yomi, Toyin’s brother Ayo and me. Ayo was talking and I suddenly interrupted…”Did you see that?” I asked. “Yeah I did” Yomi replied. Ayo had his back to a UFO as it flew over, with solid blue and red light, covering all the sky in a straight line, in about three seconds. Too low and fast to be a plane or chopper, and who knows, one of ours or one of theirs. We’ll never know the truth of what really goes on in our skies!

Day 6, fish sauce

This evening we repaired to another bar, more akin to a member’s only drinking club. The cars outside are mostly new four SUV’s and BMW’s. The owner was genial and pleased to see us. It was obvious Yomi is a regular. Some other regulars were huddled in the half-light around a table lit by a candle in a jar. We placed our order for beers. “Are you having the fish?” inquired Yomi. “Um, yeah?” I replied, thinking it was a spicy table snack, like the peppered beef on cocktail sticks at Abeggi. Suddenly the threatening grey clouds emptied what seemed like angry gallons of warm rain upon us at once, with strong gusts of wind threatening to blow our canopy away. We headed for an open door, water sloshing everywhere, and found ourselves among crates of beer and stacks of plastic furniture. No lights. We all thought this would be a fine alternative if we were to be stuck! The bar owner came to the rescue with flashlight and umbrella, escorting us one by one into the main building, cautiously negotiating the deep drain channels (fine in the daylight but in the dark?) now running fast with a mini torrent of water. In the low light of the indoor bar, past the kitchen, a tv was showing English football behind a bar in the corner. A couple of guys were sat on bar stools watching. A group of drinkers sat at a low table to one side, as we headed for the back of the room. A low ceiling and the dim light levels created a strange atmosphere, but we were relieved to be in the dry. Our fish arrived. Absolutely not a snack. Each of us had a pretty reasonably large catfish, laid predictably in a fish-shaped white plate filled with hot and spicy brown sauce. I have to say it was really tasty, though a little too much for me, as we’d already had sweet potato and beans back at the house, but I made an effort. In the gloom I couldn’t quite see what I was eating, but as this was his ‘after work’ evening meal, Yomi tucked in with relish – eating the head, eyes and all. The sauce was the cook’s own recipe, and was truly more-ish, especially before it cooled a little.

The following day at the house, painters painted, Sunday continued his sewing and hammering, and there seemed to be more foam, more wood, more rubble everywhere. Then I realised some extra chairs had been bought (typically here, from a roadside seller) to strip down and cover with the new fabric. Here the armchairs and sofas are luxuriant in dimension and finish, usually some sort of leather style with shiny bits…an African thing. I supervised some boys planting the potted plants we bought to fill in the gaps in the border. Enjoying gardening as I do, it was difficult not to do it myself and the lads were curious as to why I would get my hands dirty rather than just tell them what to do.

Auntie Sade, the housekeeper, kept us all well fed. It got to the point where there were so many boys around helping with the building work, and all needing high carb food, she was less than happy cooking all day long. I understand her frustration, though Austin the electrician introduced me to freshly cooked yam with honey drizzled over it. Nice.

 

drive cobbles
Progress on the laying of stone on the drive. The fence is newly painted, and posters of Baba Lawoyin are spread evenly along

On the bare ground I noticed four lizard eggs, perfectly shaped, white, matt and soft. About 15mm long and seemingly just randomly lying around on the dirt and gravel, only losely together, which made no sense to me. I picked them up carefully and placed them out of harm’s way. I’ve no idea if they were viable, or if this scattering was normal, but people seemed to think so. Certainly the agamas are absolutely everywhere.

Out in town, we always pass the roundabout manned by two or three friendly traffic officers. Their uniform consists of black trousers and boots, white gloves and eye-wateringly bright plain orange shirts, topped off with a black beret. On a bright day, even they have a parasol handy. Recognising our van they wave us by with a salute and big grin, sometimes with a greeting shouted out as we pass, sometimes even after we’ve passed. Today was a bright day. I could feel the back of my neck burning as I stood in line at the ATM, with Suraju chatting with someone he knows nearby.

Cash and cuts

We’re also changing some cash sterling into niaira with the money changers in the Hausa district along Sabo Road on the south-east side of town. We’ve been here many times, and the guys recognise our car, shouting out their exchange rates as we pass by. This time we see an intense looking boy who has a nasty looking stitched cut on his palm. To us it looks a little inflamed, and we give him our anti-septic gell and instructions on cleanliness and how to use it. He is very grateful. We have to wait ten minutes or so while our cash is being changed somewhere up the road, so I’m invited to sit in his wooden booth out of the sun. Suraju closes his eyes, holding on to the walking stick (now fully commandeered) and micro-naps. We were to check on the boy the following week, and all was well, with the cut healing nicely.

The power steering on the van is getting stiffer, and we soon see we have a fluid leak that needs fixing today. Driver Ade takes care of this, and tells us of a boy killed on the road earlier today, knocked off his machine most likely, where the driver failed to stop and drove on regardless. A reminder that life is cheap here.

Back at the house, today’s rain is coming in quickly. Lashing, squally wind batters the bananas and palms and it’s a wonder they survive. Water runs down the street within minutes, and dries up almost as quickly. I take the opportunity to draw up a couple of postcards to send back to friends in the UK. I’ve been watching the weaver colony in the tree at the gas station, the drongos and kingfisher on the phone lines, but it is the Red-headed Malimbe, a type of weaver, that I decide to draw. I saw this in the morning on a palm in the gardens of the house opposite. A new bird to tick off.

malimbe
Red-headed Malimbe, a new bird for my postcard home series

This evening, Baba’s middle son Lalu and wife Maureen arrive from a long trip from Baltimore, USA. I’ve not met Maureen before, but we immediately hit it off. Yomi takes us all to the bar for beer and fish supper, but I decline the fish this time, opting to just drink the Guiness and watch the others enjoying the hot sauce. In truth I don’t think I could have finished it.

Baba’s Last Journey Part 6, Godzilla for your Garden

Find me a flower

Back at the house, everything is getting a lick of paint ready for the wake-keeping and guests. The blockwork perimeter fence (all boundaries are called fences here, even if it’s a wall) are being rendered and painted a uniform light grey, and posters of Baba are being spaced along its length, inside and outside. In the yard, there is a narrow planted border held by kerb stones painted alternate black and white, which really needs some extra plants to fill in a few gaps.

mixing 2
Mixing the render for the outside fence

We need a garden centre. Is there such a thing in rural Osun? The nearest thing we will find are the roadside plant sellers, with their collection spread out under the cool shade of trees, with flowers and shrubs for sale grouped in rows and blocks for ease of watering. We take Suraju with us to a plant seller on the outskirts of town. We pull up on the side of the road and a girl approaches. We explain what we’re looking for and are invited to have a good look around.

The terrain was a little tricky so Toyin stayed in the van. I’ll have a look around, take snaps of likely candidate specimens on my smartphone, and back at the car we can negotiate a price. As a method it worked well, overcoming some language difficulties at the same time. Everyone informed, very democratic.

The plants are laid out on a slope partly shaded by trees, across a shallow ditch running with clear water. Some tadpoles are floundering on the plank which dips into the water as I put my weight on it. I rescue them by carefully flicking them back into the stream, and point them out to a young girl standing close by. I can tell she thinks I’m crazy. There are large sculptures for sale, of dinosaurs (Godzilla, really), ostriches, and what appears to be a group of World War 1 life-size soldiers. Close inspection reveals them to be a type of concrete render over a fibreglass base. Not sure I’d have one but they do have a certain quirky charm.plant seller

We also need palms and potted plants to give the house a finishing touch ready for the visitors. Also a good idea for the family house in Isale Osun, but we figure we can hire those, even though they may be eaten by the goats.

The soil at the house would benefit from any manure we could find to give the new plants a boost. Suraju makes a call. On our way into town he directs us down this street and that until we pull over at a point he has arranged to rendezvous with a couple of middle-aged men in traditional attire who are carrying shovels. The three of them are in animated conversation in the back of the mini-van as we arrive at the top of the road leading to the Osun Sacred Grove.

It is dusk, and the light is fading. We pull up over a stream winding its way through the undergrowth and litter. One of the men descends (nimbly, for his age) down the steep embankment and begins clearing a patch to access the silt underneath, bagging it as he goes, complete with bits of plastic rubbish. This is our compost, and will serve us well. Perfect material to give our flower borders a nutritional boost. The men disappear off back to their neighbourhood on foot after loading the bags and saying goodbye. Job done.

Night Drive

As we are near the entrance to the Osun Grove, we take the opportunity to drive through and out the other end, on what is oddly called Osun Grove Street, passing through water and deep muddy potholes, out to the unfinished outer ring road. I’m keen to walk this road one day, so it would be useful to see where we eventually come out. A couple of times Suraju gets out of the van to physically check the best way past various hazards.

It is very nearly dark by now, which only adds to the atmosphere, the magnificent trees silhouetted against the purple and indigo last light in the sky. Scattered houses show themselves by their square yellow lamplight. There is no knowing how far away they are, or what nocturnal forest dwellers are in between. Some bats and all sorts of moths and bugs pass in and out of the lamplight as we make our way down the ochre yellow dirt track that eventually leads us onto the new ring road and back into town. To me this is all very exciting. and I absorb everything like an enthusiastic schoolboy, and get to know a little more about the territory and its wildlife. Home for pepper chicken, bitter leaf, sweet potato and a chilled mango. If there are any left!

nightdrive dog
Driving through the forest by the Osun river out to the ring road

Baba’s Last Journey: Part 4, Banks and Batik

Monday 1st May

Towards evening, we collect artist Oscar from one of the bus stations who has endured the hot and uncomfortable day long journey from Abuja and is commissioned to produce some batik fabric to be used on table and altar tops. A good looking, trim man in a dark t-shirt and jeans with pointed tan leather shoes, a big grin with perfect teeth, he looks much younger than his 49 years, and is one of those expressive, driven characters that as well as working with fabrics, produces poetry, sings, paints and even dances. In the next few weeks we will have many conversations about art, the importance of being focussed to achieve your goals, western values as opposed to African tradition etc.

Early next morning I turn the bedroom fan off – a relief from the noise – together with the generator, it’s like sleeping on a helipad. The quiet still air in the kitchen has a pleasant aroma, a mix of fruit, last night’s cooking and cleaning materials. Mangoes are piled high in the fridge, as it is the height of the season. They are especially sweet and juicy, and in the coming week there is not much room for anything else in the kitchen, save for a couple of bottles of beer and a tin of Peak Milk! A box of matches is balanced perfectly on the cupboard doorframe, where Auntie Sade the family cook habitually leaves them. You could find them in the dark.

I stroll outside with my coffee and scan the trees in the compound opposite. I always do this, looking for anything interesting that may show up. This morning a pair of kestrels are noisily flapping in the top of a fir tree, a western grey plantain-eater flies in and clumsily lands at the top of a masquerade tree, and a group of starlings busy themselves from one tree to another, and then fly off out of site, the reddish brown flush on their wings standing out from the overall near black plumage. A new species for me, I identify them in my trusty field guide as forest chestnut-winged starlings. Because we are here in May, the migratory black kites are all over town, wheeling skilfully low over the streets on constant lookout for a morsel or an unsuspecting lizard. I made them the subject of one of my hand-made postcards back to the UK.

kite postcard

The next few days are taken up with trips into town, the business of the day often involving standing around in banks for long periods. Either depositing sums to pay a bill connected to the funeral expenses,  or using the ATM to withdraw. Sometimes three separate banks were visited in a morning. And again in the afternoon. By the end of the trip we were at least on nodding terms with most parking attendants in all the major banks in town!

Naira bills are counted with a machine, the operator wears a mask as a token protection from the micro dust, (some bills are very, very dirty) and the question “are you the last person?” is heard more and more as Nigerians in general are getting used to the idea of how a queue is supposed to work. That’s not to be unkind, many a road journey is made twice as long as it need be due to the selfish behaviour of many drivers. No lane discipline. That and the potholes of course.

Alongside the reliable yet slow ‘desk to desk’ method of completing paperwork, some aspects of modern life are being tested out in countries like this, such as biometric data gathering for setting up an account, either in a bank or with a cell phone company, for instance. I’m wondering how a cashless society would work here, as cash is very much part of the day-to-day culture, and long shall it remain so. In established businesses such as banks, there is a delightful mix of old but serviceable wooden furniture, ceiling fans and modern office chairs, with slightly grubby looking computers, and piles of paper files sit alongside the teller’s smartphone. It’s as if the ultra modern world is being shoe-horned into a hot, dusty climate almost against its will. It has its own charm. Modern electronics companies, such as cellphone company retail premises, are very polished, with pull-up banner stands supplied by the marketing people at HQ, smart well-trained staff and keen and helpful doormen, usually wearing eye wateringly bright coloured shirts with epaulettes and black trousers and boots, all topped off with a beret.

Oscar has spent a couple of days getting a feel for the place and its people, and is ready to design his batik covers. He has been commissioned to produce something with a flavour of Baba’s home town, and has teamed up with some local artists to use their facilities. We go along to see the work in progress.

By now Suraju has all but commandeered Toyin’s walking stick, which seems to suit him, gesturing with it while chatting to acquaintances when we are queuing at the ATMs. He buys a bottle of roasted peanuts from across the street, as we’re all a bit peckish.

Batik is a traditional craft for this area, and so is the use of indigo dye, though Oscar’s work is going to be black and white. The guys are working on tables that are half in, and half outside of the studio. I notice two infants asleep on a blanket on the floor inside, so we carefully avoid waking them. All is smiles as we take photos. Oscar larks around showing off the fabric, and sings a (long) song. I’m invited back to try out the technique for myself, which I’d like to do, but that’ll have to be some other time.

batik set

We were also checking the progress on work to improve the drainage and generally tidy up the old family house in Isale Osun. A local civil engineer was brought in to advise, and some boys had been set to work. The young foreman even contracted malaria at one point so we obtained the ‘one fix’ solution from a nearby pharmacy for him. He carried on working. Never let a spot of malaria slow you down eh?.

engineer surajuditch
Local civil engineer advising the young builder foreman and Suraju on raising levels over the open drain. On the right, a toddler carries her plate on her head.

Freshly picked

These tangerines were freshly picked a couple of hours before I painted them, and then er, ate them. Unbelievably sweet and juicy, it doesn’t get better than that. I’m used to seeing these fruits but with orange skin, or should that be ‘old’ skin!
The tangerines below, neatly piled and with peppers and kola nuts, are for sale on the street, delicately balanced in a large enamelled tray on top of the roadside drainage channel wall.

Nearby is a plot of land owned by the family, and Jumoke is developing it as a cafe and art centre. Work had just started as we visited. The site has a pretty stream with characteristic large boulders, banana plants and a tall old palm, which will make an ideal backdrop for the thatched parasol outdoor seating that’s planned.

 

Opposite the site is a churchyard with mature trees and gardens giving the neighbourhood a relaxed suburban feel, and next to that is the Justice Development
and Peacemaker’s Centre, a Catholic charity. I sketched the poles and power lines while business was being conducted at the cafe site, and applied some watercolour later
back at base.