Tag: Nigeria

Baba’s Last Journey Part 9: Wake-keeping day and night

May 13th

Up early to witness the goings on in the back yard. The air is slightly misty and cool before the sun comes up. I’m already too late to witness the slaughter of cow number one, which is now pumped full of air, I’m told to make it easier to clean off the hairy coat from the skin. There is the inevitable comparison to Pink Floyd’s famous inflatable pig from the “Animals” album cover. Some boys look on before starting work on the cobble driveway again. Nothing is wasted. Our slaughter man proceeds to dismember the animal on blood soaked concrete and plastic sheeting. There are no prime cuts here, just meat and skin in chunks. When served up, it’s a matter of luck if you end up with a piece of meat that isn’t very chewy and tough, but that’s how they roll here. I witnessed the demise of cow number two, took video and photos for my own education, I guess, but perhaps not suitable for display on this page. An education, certainly.

There is a general mood building, and has been for a couple of days, part excitement, part sadness. Austin has finished installing lights along the compound walls, inside and out, which are now newly painted and smart.

Baba Lawoyin’s immediate family, including myself, are wearing blue and silver outfits for the wake-keeping day. Waheedi the taylor and his team are late delivering them to the house, understandably as he has outfits for tomorrow, including friends and associates of the family to produce and deliver. It’s a big task. I am changed and ready. I have the honour of collecting Baba, together with eldest sons, from the mortuary at the hospital, where he has been ‘on ice’ since March.

At the hospital, we are invited to inspect the workmanship of the funeral parlour team in presenting Baba in perfection, led in his open coffin, looking at total peace. He is dressed in a glorious vintage style white cotton gown. It is hot in the sun, and the odour of the embalming fluid is too much for me and once experienced, is never to be forgotten. While discussions are held and we await the arrival of the hearse and the band, I seek the shade of the ward block nearby. The nurses have nice white uniforms with matching shoes and white bonnets with a red band, and appear to be a throwback to the 1950’s, but very smart. It is a peaceful, sunny morning, with a Woodland Kingfisher calling from a thicket in the hospital grounds, and butterflies flitting lazily past.

The bearers and the band arrive to escort the coffin back to the house, and we follow. The mini bus and the hearse stop 100 yards from the house, everyone gets out. The band strikes up their drum and trumpet tune suitably loudly and the bearers hoist the coffin aloft, the two dancing girls at the head of the procession. Family members are invited to carry the coffin (symbolically, the bearers always in control) and it is set down, raised up, turned around, and when down low, family again are invited to dance around it, laying money on top, as is tradition. It all looks flippant and casual, but is in reality tightly controlled and choreographed, and looks amazing. It’s a good twenty minutes before the procession reaches the courtyard and places Baba where he will rest for today and tonight, before the church service tomorrow.

The music continues. An elderly man no-one knows and dressed in a bright yellow kaftan is clanging two pieces of metal together rhythmically hoping for dash. A talking drum band play on throughout, people placing notes on their foreheads encouraging them. They respond with louder, faster drumming. People are dancing, taking photos and video on their phones, and there are many bystanders. Oscar shows off his dancing skills as Baba’s coffin is placed on its plinth. Austin mocks him playfully by pretending to place money on his forehead. It is a celebration of life, after all, and uplifting to witness.

Afternoon Service

When the dust has settled, there is still much to do. There is a constant supply of jolloff rice and sweet potato served, group photos taken, bottles of beer drunk. In the afternoon, the Pastor from the First Baptist Church, Oke Okanla, (where tomorrow’s service and burial will be held) arrives with his team and delivers a service in the yard complete with choir. The heavens open, lashing rain pours down but thankfully we are mostly kept dry by the awnings and canopy erected just hours before. On the table in front of the Pastor is one of Oscar’s batik designs. The official videographers somehow keep their equipment dry. The rain on the roof almost drowns out the words spoken, there is a service sheet, but everyone seems to know them anyway.

afternoon service

All night vigil

In the afternoon, ladies of all ages come from the old town, singing and clanging small metal bowls together, celebrating Baba’s life. They come into the house and sing and chant phrases led by an elder, and I guess, as in much of local custom, they have the opportunity to leave slightly wealthier than when they arrived… All are dressed in specially prepared and coordinated traditional attire with different blue and yellow schemes.
Infectious and emotional.

The ladies in the back yard were cooking food for tomorrow’s celebration feast, and would be there all night. There were stoves fuelled by gas, and the main fire was still going strong. Earlier the slaughter man had boiled the whole cow’s head, horns and all, in a large cauldron over this fire. He readily posed, without any prompting, holding a horn in each hand as if balancing the head in the cauldron. Today’s cheap plastic bowls and utensils are eye-catching and colourful, but I couldn’t help thinking that only a few decades ago, this would have all been done with grass baskets and clay pots. I was offered a meat roll, which was delicious. There are those that will sit with Baba all night, keeping a vigil, though I decide to get my head down for a while, as tomorrow will be the big day.

Busy all night in the back yard, this food is for the celebrations tomorrow, though I steal a delicious meat roll (top)

 

 

Baba’s Last Journey Part 8: The pressure is on

This morning the generator outside the window wakes me. When it stops, I can hear the long heavy trumpet sound of the (infrequent) train announcing its departure. There are no barriers or fences along the line, unlike in the West, and folk and livestock wander freely across the narrow gauge track going about their business. We bump over the line every trip into town. The grass grows in between the silver rails, and the litter billows up and settles as the heavy diesel locomotive rumbles on by, exhaust blowing blue in the heat haze.

I make my way to the kitchen, stepping over Austin and Ibrahim who are still sleeping in the darkened, open-plan dining room on a mattress and rolled up blanket. Ibrahim is muslim, and has the distinctive slightly hooked nose and dark complexion typical of Northern tribes. He drives, and is employed by Sister Jumoke as a handyman/general assistant, and has been brought down to Osogbo to help out. Many hands make light work. As I step outside, coffee (with fantastic, distinctively flavoured and near black local honey) in hand, I try my Yoruba with the boys. They like to try their English, and after hand slapping, finger-popping greetings (I rarely get the last ‘snap’ right) there is usually a few questions about the UK, and what it’s like outside Nigeria.

In the garden opposite, behind a high fence, are palms and masquerade trees, plus some other broad-leaved species. Some Grey Plantain-eaters, a type of Turaco, flap as if in slow motion into the top of a fruiting palm. We will be visiting the gentleman resident here with an invitation in the next few days.

It’s getting busier and the pressure is on, in an obvious way. The boys laying the stone on the driveway/courtyard, breaking stone up by hand and setting in dry mix concrete, have their work cut out. There are more boys to help, recruited by Ade. There are problems just when you don’t need them – isn’t that always the way? The big Nissan pick-up needs a tyre, and we are unlikely to get one of the right size today, it will have to come from out of town. This truck is dark navy blue, and I have an idea that people often think we are a government vehicle, such is the similarity, that we are often given a wide birth with it!

Baba’s Youngest son Ayo and senior son Segun arrived from Abuja last night. Segun is busy writing for the Order of Service and Celebration of Life booklet. It will be in English and Yoruba, and as usual with these things, running more than a little behind schedule. After all, there is a deadline! With Jumoke’s daughter Uzo arriving from Baltimore USA, and Toyin’s two younger sons Zack and Daniel arriving from the UK today, it will be busy. Out with Lalu and Maureen, we are sending packages from one of the bus stations in town. Seemingly chaotic with the blue suzuki mini-buses coming and going, parking at all angles on the deeply rutted bare earth yard, the man in charge behind his shuttered kiosk window barks instructions. He knows everything. All the destinations and numbers of the buses are handwritten on a well-worn chalk board on the wall next to the window, and I have no doubt it all runs smoothly despite the chaotic appearance!

Truck collage
I’m sure our truck passes for a government or police vehicle, which has its advantages! Bottom left, the Wara seller girls who happily posed for pictures, and right, Uzo causes a stir at the school in Isale Osun!

 

On our way into town I see a small boy rolling a tyre along with a stick. Timeless. Some other uniformed schoolboys call out as we drive by, calling me a “white black man” as they see I am in native dress and fila, a reply in English and wave goes down well, all good natured.
After the usual business of the day we buy some Wara from the girls we see regularly. They know us by now and give us first opportunity to buy from them. I have permission to take their photograph (Back home later in the year, I turn these into paintings on canvas). Suraju has been asking us for a picture of him and me, and when we get some prints made as a surprise, he is really chuffed. He invites me into his tiny wooden house in Isale Osun to see where he will place it. On the wall next to pictures of family members, I am honoured indeed. I travel the last mile of the journey back to the house with 40 eggs in a thin plastic bag on my lap. This time I manage not to break any, despite the deep potholes!

This evening we settle Uzo, Zack and Daniel into their hotel nearby, and have a drinking session on the verandah, a little bitten by the mozzies. We return up the hill to our house at nearly midnite. An old boy guards the wooden pole barrier that is lowered, and as he lifts it for us I see he has a hunter’s shotgun over his shoulder. No deterrent if you are determined, but comforting to note there is some community spirit.

Next morning I have a Guiness hangover, but I can blame my grouchy mood on the malaria tablets (so the small print says). With Uzo and Maureen, we visit the churchyard where Baba will be buried at the First Baptist Church, Oke Okanla, and the family house at Isale Osun, where we visit the school opposite the house for the first time. The kids are understandably unsure of what is happening – who are these people? They are sharing books and pencils between them, and Uzo is a little shaken by their lack of resources. Keen to help somehow, this we do on our last day here, more on that later.

Back at the house, two of the three cows arrive to be slaughtered, Halal style. The boys working so hard on the drive get really upset as the cows are walked across the wet concrete and a lot of shouting ensues, a fight breaks out and a machete is raised in self defence by a wide eyed boy. Bloody hell! Fortunately the situation is diffused, but for a moment there it was looking seriously dodgy.

cook-prep
The slaughter man poses with ‘cow number one’, as the veggies and peppers are prepared for the cook-up about to start. The boys worked on after dark to finish the courtyard, and are clearly exhausted, but still good humoured!

 

There are some guests arriving for the celebrations already, and introductions, handshakes and group photographs are ongoing. Some people have not seen each other for years, after all.
The slaughterman readily poses with ‘cow number one’ for me, and round the back of the house, catering supplies and all sorts of pots and pans, some the size of witches cauldrons, are being prepared. The slaughter man has his well-worn but hopefully sharp knives laid out neatly on top of a barrel. A big fire is lit. A group of ladies are preparing vegetables and peppers for the cooking up, and are singing and chanting. They will go on all night and into the morning. All of the boys are still here, some are bunked down for the night. In the lamplight, I chat with Oscar and Sikiru about the West, and food production, meat slaughter, packaged food, organic food, supermarkets. The differences between cultures, but all governments have agendas etc.

There is a definite sense of occasion, tense and exciting at the same time, like watching a clock ticking just before the alarm goes off. Tomorrow is a big day. The Wake keeping begins. First though, will be cow number one.

Baba’s Last Journey Part 6, Godzilla for your Garden

Find me a flower

Back at the house, everything is getting a lick of paint ready for the wake-keeping and guests. The blockwork perimeter fence (all boundaries are called fences here, even if it’s a wall) are being rendered and painted a uniform light grey, and posters of Baba are being spaced along its length, inside and outside. In the yard, there is a narrow planted border held by kerb stones painted alternate black and white, which really needs some extra plants to fill in a few gaps.

mixing 2
Mixing the render for the outside fence

We need a garden centre. Is there such a thing in rural Osun? The nearest thing we will find are the roadside plant sellers, with their collection spread out under the cool shade of trees, with flowers and shrubs for sale grouped in rows and blocks for ease of watering. We take Suraju with us to a plant seller on the outskirts of town. We pull up on the side of the road and a girl approaches. We explain what we’re looking for and are invited to have a good look around.

The terrain was a little tricky so Toyin stayed in the van. I’ll have a look around, take snaps of likely candidate specimens on my smartphone, and back at the car we can negotiate a price. As a method it worked well, overcoming some language difficulties at the same time. Everyone informed, very democratic.

The plants are laid out on a slope partly shaded by trees, across a shallow ditch running with clear water. Some tadpoles are floundering on the plank which dips into the water as I put my weight on it. I rescue them by carefully flicking them back into the stream, and point them out to a young girl standing close by. I can tell she thinks I’m crazy. There are large sculptures for sale, of dinosaurs (Godzilla, really), ostriches, and what appears to be a group of World War 1 life-size soldiers. Close inspection reveals them to be a type of concrete render over a fibreglass base. Not sure I’d have one but they do have a certain quirky charm.plant seller

We also need palms and potted plants to give the house a finishing touch ready for the visitors. Also a good idea for the family house in Isale Osun, but we figure we can hire those, even though they may be eaten by the goats.

The soil at the house would benefit from any manure we could find to give the new plants a boost. Suraju makes a call. On our way into town he directs us down this street and that until we pull over at a point he has arranged to rendezvous with a couple of middle-aged men in traditional attire who are carrying shovels. The three of them are in animated conversation in the back of the mini-van as we arrive at the top of the road leading to the Osun Sacred Grove.

It is dusk, and the light is fading. We pull up over a stream winding its way through the undergrowth and litter. One of the men descends (nimbly, for his age) down the steep embankment and begins clearing a patch to access the silt underneath, bagging it as he goes, complete with bits of plastic rubbish. This is our compost, and will serve us well. Perfect material to give our flower borders a nutritional boost. The men disappear off back to their neighbourhood on foot after loading the bags and saying goodbye. Job done.

Night Drive

As we are near the entrance to the Osun Grove, we take the opportunity to drive through and out the other end, on what is oddly called Osun Grove Street, passing through water and deep muddy potholes, out to the unfinished outer ring road. I’m keen to walk this road one day, so it would be useful to see where we eventually come out. A couple of times Suraju gets out of the van to physically check the best way past various hazards.

It is very nearly dark by now, which only adds to the atmosphere, the magnificent trees silhouetted against the purple and indigo last light in the sky. Scattered houses show themselves by their square yellow lamplight. There is no knowing how far away they are, or what nocturnal forest dwellers are in between. Some bats and all sorts of moths and bugs pass in and out of the lamplight as we make our way down the ochre yellow dirt track that eventually leads us onto the new ring road and back into town. To me this is all very exciting. and I absorb everything like an enthusiastic schoolboy, and get to know a little more about the territory and its wildlife. Home for pepper chicken, bitter leaf, sweet potato and a chilled mango. If there are any left!

nightdrive dog
Driving through the forest by the Osun river out to the ring road

Baba’s Last Journey: Part 4, Banks and Batik

Monday 1st May

Towards evening, we collect artist Oscar from one of the bus stations who has endured the hot and uncomfortable day long journey from Abuja and is commissioned to produce some batik fabric to be used on table and altar tops. A good looking, trim man in a dark t-shirt and jeans with pointed tan leather shoes, a big grin with perfect teeth, he looks much younger than his 49 years, and is one of those expressive, driven characters that as well as working with fabrics, produces poetry, sings, paints and even dances. In the next few weeks we will have many conversations about art, the importance of being focussed to achieve your goals, western values as opposed to African tradition etc.

Early next morning I turn the bedroom fan off – a relief from the noise – together with the generator, it’s like sleeping on a helipad. The quiet still air in the kitchen has a pleasant aroma, a mix of fruit, last night’s cooking and cleaning materials. Mangoes are piled high in the fridge, as it is the height of the season. They are especially sweet and juicy, and in the coming week there is not much room for anything else in the kitchen, save for a couple of bottles of beer and a tin of Peak Milk! A box of matches is balanced perfectly on the cupboard doorframe, where Auntie Sade the family cook habitually leaves them. You could find them in the dark.

I stroll outside with my coffee and scan the trees in the compound opposite. I always do this, looking for anything interesting that may show up. This morning a pair of kestrels are noisily flapping in the top of a fir tree, a western grey plantain-eater flies in and clumsily lands at the top of a masquerade tree, and a group of starlings busy themselves from one tree to another, and then fly off out of site, the reddish brown flush on their wings standing out from the overall near black plumage. A new species for me, I identify them in my trusty field guide as forest chestnut-winged starlings. Because we are here in May, the migratory black kites are all over town, wheeling skilfully low over the streets on constant lookout for a morsel or an unsuspecting lizard. I made them the subject of one of my hand-made postcards back to the UK.

kite postcard

The next few days are taken up with trips into town, the business of the day often involving standing around in banks for long periods. Either depositing sums to pay a bill connected to the funeral expenses,  or using the ATM to withdraw. Sometimes three separate banks were visited in a morning. And again in the afternoon. By the end of the trip we were at least on nodding terms with most parking attendants in all the major banks in town!

Naira bills are counted with a machine, the operator wears a mask as a token protection from the micro dust, (some bills are very, very dirty) and the question “are you the last person?” is heard more and more as Nigerians in general are getting used to the idea of how a queue is supposed to work. That’s not to be unkind, many a road journey is made twice as long as it need be due to the selfish behaviour of many drivers. No lane discipline. That and the potholes of course.

Alongside the reliable yet slow ‘desk to desk’ method of completing paperwork, some aspects of modern life are being tested out in countries like this, such as biometric data gathering for setting up an account, either in a bank or with a cell phone company, for instance. I’m wondering how a cashless society would work here, as cash is very much part of the day-to-day culture, and long shall it remain so. In established businesses such as banks, there is a delightful mix of old but serviceable wooden furniture, ceiling fans and modern office chairs, with slightly grubby looking computers, and piles of paper files sit alongside the teller’s smartphone. It’s as if the ultra modern world is being shoe-horned into a hot, dusty climate almost against its will. It has its own charm. Modern electronics companies, such as cellphone company retail premises, are very polished, with pull-up banner stands supplied by the marketing people at HQ, smart well-trained staff and keen and helpful doormen, usually wearing eye wateringly bright coloured shirts with epaulettes and black trousers and boots, all topped off with a beret.

Oscar has spent a couple of days getting a feel for the place and its people, and is ready to design his batik covers. He has been commissioned to produce something with a flavour of Baba’s home town, and has teamed up with some local artists to use their facilities. We go along to see the work in progress.

By now Suraju has all but commandeered Toyin’s walking stick, which seems to suit him, gesturing with it while chatting to acquaintances when we are queuing at the ATMs. He buys a bottle of roasted peanuts from across the street, as we’re all a bit peckish.

Batik is a traditional craft for this area, and so is the use of indigo dye, though Oscar’s work is going to be black and white. The guys are working on tables that are half in, and half outside of the studio. I notice two infants asleep on a blanket on the floor inside, so we carefully avoid waking them. All is smiles as we take photos. Oscar larks around showing off the fabric, and sings a (long) song. I’m invited back to try out the technique for myself, which I’d like to do, but that’ll have to be some other time.

batik set

We were also checking the progress on work to improve the drainage and generally tidy up the old family house in Isale Osun. A local civil engineer was brought in to advise, and some boys had been set to work. The young foreman even contracted malaria at one point so we obtained the ‘one fix’ solution from a nearby pharmacy for him. He carried on working. Never let a spot of malaria slow you down eh?.

engineer surajuditch
Local civil engineer advising the young builder foreman and Suraju on raising levels over the open drain. On the right, a toddler carries her plate on her head.

Baba’s Last Journey: Part 3, Isale Osun

Some rooms in the house have air conditioning, some do not. Ours does not. I switched on the light and a gecko made its way out of sight into a gap in the window frame. The upright standard fan noisily moved the air around adequately enough though. Welcome back.

The heavy rain in the small hours, loud on the tin roof, has cooled the morning air. I noticed how much the paw-paw tree in the yard had grown since last year, and how the bananas had been thinned out. Some wood has been collected ready for cooking the food for the wake keeping. Apparently three cows will be slaughtered in the yard, halal style. Looking around I found an old Peak Milk wooden box that was destined for burning. Being of possibly 1950’s vintage, and therefore worthy of a place indoors, this will do nicely as both a doorstop and a makeshift bedside table. Anything to keep your things up off the floor away from the (very large but harmless) ants is a good thing. Peak Brand evaporated milk is very common in the stores here, and more convenient than fresh milk for obvious reasons. As a little luxury, I’d been travelling with an unopened bar of dark chocolate that had melted fully (shoulda known) and re-shaped itself to resemble a large smooth pebble. After being in the fridge overnight it was now solid again. Too solid.

windowshade2016montage

Sunday has been employed to re-upholster the lounge furniture, plus some new easy chairs in a similar style, to accommodate visitors to the house in comfort during the course of the celebrations. He doesn’t speak much English so our communication is restricted to common hand gestures and my rudimentary Yoruba greeting, which goes down well. He is working outdoors under cover, using an old mechanical sewing machine, and there is foam, timber and fabric strewn about. It will be like this right up until the wake-keeping day.

There are painters and plasterers too, with their assistants who are working in bare feet and look as though they should be at school.

A trip to Isale Osun

Next, we’re out and about in town with driver Ade, a cousin. A sturdy, reliable guy in his thirties with a stout jawline and ready smile. He lives nearby at Bosun’s catfish farm (more on that later) and is charged with supervising the boys who will be refurbishing Baba Lawoyin’s old family home in the old town, at Isale Osun, and also the driveway here at Baba’s current house. Isale Osun is one of the oldest neighbourhoods in Osogbo. In Baba’s childhood years, there were green spaces to play football and plenty of trees, but over time houses and businesses have sprung up in close proximity to one another. We go along for the ride, there is work to do, after all. The intention is for Baba to spend the night here, at the home of his birth, the night before the funeral in a candle-lit vigil, so people can come and pay their respects before he leaves for the church. His last journey. It’s a big tradition, I can feel the buzz of anticipation of the events to come. Posters of Baba have been posted on the outer walls and the whole place is getting a lick of paint and general fix up. Everyone is keen to have photos taken with cousin Toyin, the young children though, are just curious as to who these strange visitors are.

Family members pose with Toyin at the house in Isale Osun

There is a strong sense of community here, where different religious beliefs live side by side. Mostly Muslim and Christian but also Animists, and there are traditional Osun worshippers too (we would meet some at the water’s edge in the Sacred Groves before the end of the trip). Everyone celebrates each others religious holidays, and it is not uncommon to find both Muslim and Christian family members in the same household. This plays a part in maintaining harmonious community relations where the population is roughly split 50/50. To Western ears this sounds strange, as our understanding of such things is tainted by politics and vested interests and we forget that, at the end of the day, we’re all just people trying to get by. For me, this is one of the major take-aways from trips here.

The ladies cooking up are happy to stir the pot for my snap. I notice the standard “stockfish” is not local, but actually cold water mackerel…

Suraju joins us (another cousin) and will be helping out wherever he can. He lives opposite the traditional family house and comes across as a quiet man of few words, the type that understands English well enough but chooses not to let on. He has a very dark, shiny complexion with prominent tribal scars on his cheeks, with slightly bloodshot, yellow eyes.

Suraju (right) poses with this garage owner in downtown Osogbo

A bit of a local politician, he seems to know everyone and is easily distracted talking to other locals. With us daily for the rest of the trip, Suraju quickly became indispensable when we needed an extra pair of hands, or just to know which part of town we needed to be to find this or that. He has a unique charm and is a lovely, lovely man. I like him a lot.

Baba’s Last Journey: Part 2, Over the blue hills

We set off for Osogbo. A short distance down the expressway we pull up at a pre-arranged rendezvous point (gas station) to meet the printer (a cousin) who has with him the funeral invitations with matching envelopes. Cheerfully brushing off the pressure he has been under to deliver to a deadline, he has no idea yet how late the copy for the Order of Service booklet will be! Of course I can say that in hindsight, but my own experience tells me that these things never run to schedule, but the man, or woman, at the end of the chain always has to deliver!

Our driver was Michael Oladiti, known as “Ditti”. A tall, quiet man who also works for Bosun as a mechanic, he lives along our route in sprawling Ibadan, and is keen to get us to Osogbo and return home before dark. The drive to Osogbo took around three hours, much shorter thankfully, than the last time we travelled this way (which took an incredible 12 hours, partly because the road wasn’t finished!) and was uneventful due to the unhurried yet professional manner in which Ditti drove. The now familiar southern Nigerian scenery of thick green bush, orange sienna soil, roadside truck repairs, hawkers and machines (often with two, three or even four riders on board, sometimes whole families with babies) passed by the window for mile after mile. Trucks often have hand painted signs on the tailgate or sides and cabs, some artistically rendered like murals. Some have polite warnings about overtaking or spiritual messages..…”God is great” is common. As we made our way, we listened to the laid-back music of Evangelist Ebenezer Obey, whose songs of philosophy and faith are accompanied by light guitar and percussion. I liked it so much I ended up buying the cd’s from Ditti.

road_trip
Ditti drives us to Osogbo from Lagos. The two trucks in front are painted by the same artist. The nearest has an eagle and snake motif, and both are heavily laden with vegetables

At Ibadan, I looked beyond the endless sprawl of rusty tin roofs punctuated by churches and mosques, with black kites wheeling above, to the blue hills beyond. I was reminded that just there, a few miles over those hills in the Omo Forest Reserve, a population of chimpanzees apparently still survives and, it is rumoured, even some forest elephant. Doesn’t seem possible amongst all this noisy, choking activity, and one of these days I would maybe find out for myself. It’s a comforting thought that we share the world with all sorts of wonders. All conjoured up in the mind of my younger self with just one word – ‘tropical’. For this I have to thank the Brooke Bond tea cards my sister and I collected as children in the 1960’s. One album was Tropical Birds, illustrated by the great Charles Tunnecliffe. As a small boy, looking at those images of exotica fuelled my imagination and now of course, I have seen some of the very same birds that are illustrated in that booklet at first hand, both in Venezuela and in Africa. I’m pretty sure that early experience has carried through to today, which is probably why I find all this so exciting. Perhaps I should make it a mission to see all 50 birds in real life…but that’s another adventure.

Arriving

There is something special about arriving in to the company of people you have missed, and sure enough we received a very warm welcome. Timely, too, allowing Ditti to return to Ibadan that afternoon before dark. Many hands made light work of packaging the invites we had brought from Lagos into their envelopes and in turn sorting them into bundles for out-of-town destinations.

Baba Lawoyin had a long and distinguished career working for the Baptist Church in education, and travelled widely, living in the North in both Jos and in Kaduna. Consequently many people from across the country knew him, and his extended family comprised both Christians and Muslims. I would get to meet a great many of them in the coming weeks. 

The string-tied bundles would be distributed by the Suzuki mini-bus public transport system, and after measuring us up for the outfits we will be wearing for the wake-keeping and funeral in a couple of weeks’ time, taylor Waheedi and his colleague took the bundles to the bus station. Everyone mucks in and helps out around here.

As dusk approached, heavy clouds were lit up by yellow and orange lightning, flashing left to right across the sky, momentarily silhouetting the palms and masquerade trees. I’ve never seen lightning that was not white so another first for me, and I felt curiously at home.

lightning
Orange lightning under heavy clouds as the day draws to an end

Baba’s Last Journey: Part 1, Lagos to Osogbo

I am travelling once again to Osogbo, Osun State, Nigeria, with Toyin. We are attending the funeral of her father, Gabriel Oladosu Lawoyin, who passed peacefully away in March of this year, with some members of his family at his bedside. He would have been an incredible 112 years of age in May. The three week trip was quite the experience, recalled here in this series of posts.

Lagos to Osogbo

I can never resist looking down at the scenery below on daytime flights, and here we are over the small fields and woods of France, crossing to the island of Palma, then on across Algeria almost due South. Flying over Algeria seemed to take at least half of the six hour flight time. What’s it like down there amongst the sun baked rocks, my boyish imagination asks.

Lagos, 5pm. The thickly humid and warm air of West Africa hits me, a cocktail of diesel and kerosene, and something else uniquely African which still defies description. Nigerians returning home will know what I mean, it’s immediately exciting. We disembark and begin the long stroll, eyes on you at all times. Men and women sit or stand around casually, some buried in their smartphones with only their lanyard badges identifying them as staff of some sort. There is an air of nonchalance, with many more staff than would seem necessary for efficiency. There was a little impasse for a minute or two when I was asked by the pair of female immigration officers to present a yellow fever certificate, which I didn’t have. I’m sure they would have settled for dash, but we explained the reason for our trip was to attend a funeral, which drew their sympathy. The uniformed officer standing behind them had the shiniest black shoes I’ve ever seen, and in relief I told him so. He immediately broke into a broad grin “Do you like them?” Smiles all round, and we are on our way.

After the usual scrum to have your luggage numbers checked by another phalanx of uniformed men and women (I can imagine the confusion that would occur if they didn’t match) you look to see who is waiting for you, so you can make a b-line for them and brush aside the hands reaching for your luggage and leave the chaos behind you!

In our case Bosun was there to greet us. I already knew his younger brother Yomi, and Bosun is jovial and witty in a similar way. Both instantly likeable, they can be difficult to tell apart, apparently something to do with the spectacles and shape of the head –  their words, not mine. Both men have a dry sense of humour and are quick to see the comedy in any given situation. There are two other brothers I’ve yet to meet, and all four have excelled in their respective careers; academia, aviation, oil and medicine.

We lined up outside the terminal waiting for our driver to come around. More uniformed women made the process of passenger pick-up as smooth as it could be, and eventually we were loaded and on our way, through the Lagos traffic and southbound onto the Third Mainland Bridge, past the waterside communities of Makoko below us and on to Lekki peninsula. Turning off on the 7th expressway roundabout where Chevron have their large and very secure looking compound, we approach the first of several checkpoints in the impressive Northern Foreshore gated community. If they don’t know you, you don’t pass without checks, which may have to be an actual phone call to the house you’re visiting – very reassuring for residents and visitors alike. But it could feel like a prison if you’re not used to such high security. No-one complains. The benefits are obvious.

On arriving at the air conditioned cool of their splendid newly built and spacious house, Bosun’s wife Funmi offers us chilled bottled water, and we’re delighted to hear some chicken and jollof rice is nearly ready to serve! Funmi works for a German firm, and is fluent in the language, and also speaks a little French. She has an easy laugh and a big smile, and long extensions and braided hair and blue jeans is her trademark look.

Before the very welcome supper, there is time to stroll down to the water’s edge to admire the view across the lagoon. Bosun explains that land reclamation and housebuilding is ongoing, which will eventually alter the view, but for now it is peaceful and still. Across the lagoon, at the far end of the Third Mainland Bridge causeway, an illuminated and animated billboard flashes its message brightly in the blue-grey darkening atmosphere. It looks like a rogue pixel on a cinema screen, and is kilometres away, but when we travel back to the airport at the end of our trip, we see that it is gigantic. The sun turns the sky a coral red near the horizon, and right on cue, a fisherman punts across the water. He stares at me and doesn’t respond to my wave. I have no camera, but Bosun has his smartphone, so we manage to capture a pretty good image of this timeless scene.

lagos_lagoon
A fisherman paddles past as I stand on the grey sandy shore

Back at the house, I see a collection of health supplements and ingredients on the kitchen table; organic cider vinegar, turmeric, coconut oil, black cumin oil etc. Something we have in common is researching the best nature can provide in enhancing your diet to stay healthy in a toxic world. For me, as a cancer survivor, it’s an important part of my daily routine. Turns out we use a lot of the same stuff, ‘you are what you eat’ has never been more true.

Bosun also has a huge collection of books on purpose built shelving both upstairs and down. Even on the stairs. It’s really a library. A quick glance at a few spines tells me most all of them are about how to do things; aquaponics, organic farming, fixing landrovers, financial management. Some are political, some historical. All are valued. I purposefully don’t ask the obvious – if he’s read them all – as we share some malt whisky. It’s been a long day.

Before we leave for Osogbo the following morning, there is time for a little birding. A group of ladies stroll purposefully by in their trainers, exercising ‘round the block’ almost power walking, and greetings are exchanged. At the water’s edge, the sun is already hot, and the shallow clear water laps quietly up onto the grey sand. Dozens of hermit crabs stroll this way and that in the shallows, and one or two small mudskipper fish hop about out of the water. A short distance out, some poles are standing upright out of the water. Two pied kingfishers occupy one each, while a third flies by and hovers briefly, looks down but does not dive. Off to my left the green reeds are easily over ten feet tall, and beyond them on the power lines sit a pair of little bee-eaters, their sharp black bills and yellow, black bordered throats just visible against the light. By the house on an empty plot, lush with grass and pools of water, a black heron hunts by shielding the water with its wings. I first saw this on a David Attenborough documentary years ago, and now here we are, exotic birds with unique behaviour strutting around amongst the plastic in new Lagos suburbia. Sharing the square space was a pair of white-faced whistling ducks and a noisy spur-winged plover. One of the things I like most about travelling here, is that my own notion of the exotic can often turn out to be commonplace, and wildlife is altogether tamer than at home. Makes the world smaller.

view to the lagoon

Durbar Prince

Durbar Prince
Durbar Prince: pen and ink over lightly smudged oil paint on paper

Durbar Festival, Kano, Nigeria 2016

This young man looks very cool in his finery and shades. Not held for some years due to recent troubles, we were lucky enough
to be VIP guests at last years’ Durbar. Grandstand view and mingling with the riders in the paddock after their parade, it was a very hot but very exciting afternoon!

Auntie Sade

Continuing with the series of portraits of folks met while on trips to Nigeria. Seems to be a thing developing here. This is Auntie Sade, who I met for the first time in 2014. Sade is the reliable housekeeper and amazing family cook. I’ve often seen her preparing meals with industrial quantities of tomato and pepper (chili) with freshly prepared chicken – feet, beak and all. Now in her mid seventies, she prepares food in the traditional way, and so wraps her
moi-moi in Uma leaves (Thaumatococcus daniellii also known as Yoruba soft cane) rather than foil or plastic bags.

Agbara kekere

This painting is of the second girl selling Wara in Osogbo. Tiny in stature, and carrying her very young baby around with her (underneath her shawl for this picture). I was interested in her expression, hard working and really tough with a relaxed, confident air. I used the Yoruba words for petite and strong in the background, applying them in no-nonsense Gotham Black to the container wall behind her. On the canvas her complexion is more subtle, but here the image processor in my camera exaggerated differences between tints and hues. Something to do with white paint in the mix possibly.

agbara_kekere
Wara seller 2, “Agbara kekere”, acrylic on canvas 600 x 900mm 23.5 x 35.5 inches