Very often I see something of interest whilst driving. If I can stop – and it’s not always convenient or even possible – I will try a loose sketch and a quick phone snap as a reference. back in the studio I’ll work a sketch up in acrylics, pastel or a mix of media. Here I was interested in the effect of high sun diffused by thin cloud. Will this scene make a good painting?
More often though, walking familiar ground in different seasons, times of day and weather conditions is very revealing. The ordinary can become astonishing in a different light, and a touch of atmosphere can produce surprising changes of appearance, even in the most familiar scenes.
Below is a quick charcoal sketch drawn in a quiet lane in Hertfordshire. I was interested in the road disappearing into the wood beyond, guarded by the tree on the left, and although it had seen better days, I liked the shape against the flat sky.

A few days later I produced a larger version in acrylic in an A3 sketchbook. The flat but bright overhead light gives form to the hedges and reflects off of the road, and without painting the sky and leaving it as white paper, I seem to have captured the diffused glow of the scene.

Familiar Ground
My local vineyard is familiar ground, drawing and painting there often. With this plein air acrylic sketch, I was interested in the arrangement of verticals and horizontals, with the support posts of the vines at uneven angles leading to the single apple tree in blossom. The flat bright light overhead reveals the crown of the handsome sycamore in the centre of the picture, with the farm in the middle distance and the Downs beyond.

I wasn’t sure I wanted to include the distant hill, so produced a charcoal drawing bringing the farm down
and altering the format to a more square proportion.

The painting I ended up with had no buildings in the frame, and I opted to use painting knives instead of brushes. Two plein air sessions of about an hour and a half each, and some finishing touches in the studio completed the picture, and I like the effect of the high sun diffused by thin cloud.








After freshening up, chicken rice and spinach is served, followed by water melon
The same wall of heat hits me after dark as I step outside to make my way to our apartment. By lamplight, I see one or two moths, but dozens of large cockroaches
I was familiar with these birds from ‘The Handbook of Foreign Birds’, where they were described as not for the novice, and could be quite aggressive towards weaker inmates
The swallows and swifts are not deterred for long. When the sun comes out, it’s blinding and hot. The Variable Sunbirds flit quickly to and fro on the flowers in the garden, the fire finches find seeds on the ground in the yard. The African Thrush sings loudly very like the European song thrush, with simple but fluid repeated phrases. I started the Moleskine sketchbook on the ‘plane, and already made some notes on the suburban birdlife for later.

So, here we are again. Another rip roaring, roller coaster high energy ride for a few weeks through this fantastic country…just hope I can keep up…



Nature reclaims all that is hers and the sculptures benefit greatly from mosses and litchens, finding a home on the rendered clay works. Adds to the mystery and spiritual energy of the place.
As the patch of forest is a sacred site and therefore protected, there is much in the way
I tried to capture these monkeys very quickly before we left, constant movement and life energy…if only there was more time!
A pair of hornbills is often seen flying across to the high trees, and the occasional hawk or small eagle is seen wheeling in the middle distance. The raw sienna coloured soil fits perfectly with the lushness of the greens, and the moody grey skies hide the sun but not the humidity.
The call to prayer from the nearby mosque wakes me at five, the cockerels are crowing at six, and the gospel singing is rousing at seven…but there is no intention to stay in bed, there are new things to be discovered out there.

