Tag: sketching_outdoors

Blake’s Wood

This is Blake’s Wood, local nature reserve of predominantly Sweet Chestnut, Hornbeam and Oak. I’m in the small parking lot, using the bonnet of my car to double up both as an easel and a table to set out my gear. All quiet, sun low but still bright, the different spring greens now merging into similar mid tones as they mature. The faint aroma of the honeysuckle climbing up the tree next to the sign board is attractive enough, but not the subject of this picture. Instead it’s the evening dappled sunlight, the loud, warbling burble from the Blackcap who seems to circle me, first behind, then here, then over there.
It’s the light falling through the leaves and onto the ground. The sign board invites you to engage, you are here on the map…have you seen all the woodland creatures they mention in the text? Yes of course.

A stranger arrives and parks up. He comes over “can I see?” Yes of course. “Nice”. We chat about wildlife in general, and conclude we have both heard a cuckoo nearby, an ever rarer treat that was once much more common. With camera equipment and a natty camo t-shirt, Adam explains he’s off around the corner where there is some remnant heather heath, hoping to capture a shot of some adders that he’s seen there, bathing in the evening sun. Just great.

blakes-wood-watercolour-may-2014

 

After rain

In this watercolour the sun shines low in the sky. All is in shadow and at the top of the hill you can only really see bright light reflecting off the wet road, a small area of grass and shrubbery bathing in the sun’s intense warm glow and small specks of white light bouncing off of ivy leaves. There is no sound except for water flowing into the nearby ditch from a raised pipe.
gt-leighs-against-the-light-jan-19-2014-watercolour

More sparrowhawk action, this time at the bottom of the garden in the crook of cherry branches. This male was busy with his (obscured and unidentified) kill for twenty minutes or so, giving me the chance to attempt live sketches using binoculars. This was a bit awkward as I had to memorize what I was looking at and then draw it, then look through the glasses again. From the top of the page down you can see how I eventually got something lifelike and reasonably accurate… drawing around an abandoned sketch
of a sunning woodpigeon. Needs must.

pluckingprey
Pheasants have a reputation for being a little dim, or slow, but maybe they’re just
cautious. This male dawdled across the road a few evenings back in between the four wheel drives and the farmer’s pick-ups. Slowly enough for me to have two attempts at capturing that swagger that says “I’m handsome and in control…oh wait, I could be roadkill here…best move it along…”terling-jan-17-2014-sketchbook-pencil

Shadow play

Here are some re-workings of some recent sketchbook pencil drawings reproduced in ink – with a little scratching out– using as big a brush as possible, aiming for that “just casually arrived on the page” look.
mowden-hall

shadowplay-in-the-yard

 

Down by the river, lined with willows and reeds, umbellifers and nettles. Cars and vans park up wherever there is space. Not a picturesque horse and cart, sure, but I find including the modern and mechanical describes today’s heavily industrialised agricultural landscape. On the field side, the tree has not been allowed to encroach on farm machinery and has been trimmed back, giving an open right angle underneath it. Conveniently, this acts as a frame for the white van, and the high tonal contrast helps provide a
focus here.

van-in-the-layby

The white van under the dark tree attracted me here

In this picture I was attracted by the shadows of the trees across the road. The barn was black,
the door was red. There was no sound. I went a little ‘nuclear summer’ with the colours, but hey…

country-lane-with-red-door

A quiet, still summer afternoon shattered by my choice of colours!

The hidden beauty in grey

July 2nd 2010: A warm, sticky night. The heavy scent of honeysuckle in the air attracts a pine hawk moth, which can’t resist the light inside and flies indoors through the open patio doors. Conveniently resting on a flat surface, I take the opportunity to do a quick sketch with a biro and make some notes. Letting the moth outside, cupped in my hands, the strength of its flapping wings against my palms was so strong, it felt more like a small bird than an insect!

sketch book moth
Pine hawk moth at rest on my drawing board, quick sketch

 

Next evening, the moth was back, at dusk, just when it is hard to see straight ahead, but the skyline is sharp and the contrast is clear. Flapping then gliding, then flapping again, the moth danced over the honeysuckle in silhouette. A beautiful sight. I decided to make an illustration showing the moth at an exagerated scale in a suburban setting. Using charcoal would emphasise the soft atmosphere of dusk, when all edges seem to merge. The overall effect I was after was that of a period book illustration. After working out the layout of the drawing on a small scale in my sketchbook, I settled on a composition and drew quick studies of each of the main elements, honeysuckle, chimney, tiles.

The picture is all about atmosphere though, so I was careful not to include too much observable detail.

sketchbook_scamp
scamps planning the composition
sketchbook2
gliding effortlessy across the honeysuckle, in silhouette
pine hawk moth, charcoal
Pine hawkmoth, charcoal, 40 x 59 cm

 

Close up, the beautiful irridescent greys and subtle browns of this animal were stunning,
effortlessly gliding acrooss the dusk skyline.  This is the picture of that moment.