Tag: watercolour sketch

Blake’s Wood

This is Blake’s Wood, local nature reserve of predominantly Sweet Chestnut, Hornbeam and Oak. I’m in the small parking lot, using the bonnet of my car to double up both as an easel and a table to set out my gear. All quiet, sun low but still bright, the different spring greens now merging into similar mid tones as they mature. The faint aroma of the honeysuckle climbing up the tree next to the sign board is attractive enough, but not the subject of this picture. Instead it’s the evening dappled sunlight, the loud, warbling burble from the Blackcap who seems to circle me, first behind, then here, then over there.
It’s the light falling through the leaves and onto the ground. The sign board invites you to engage, you are here on the map…have you seen all the woodland creatures they mention in the text? Yes of course.

A stranger arrives and parks up. He comes over “can I see?” Yes of course. “Nice”. We chat about wildlife in general, and conclude we have both heard a cuckoo nearby, an ever rarer treat that was once much more common. With camera equipment and a natty camo t-shirt, Adam explains he’s off around the corner where there is some remnant heather heath, hoping to capture a shot of some adders that he’s seen there, bathing in the evening sun. Just great.

blakes-wood-watercolour-may-2014

 

When the sun shines

When the sun shines it seems to breathe life into the everyday, easily overlooked scene.
Being aware of this, some months ago I spotted this satisfying arrangement of trees and shrubs tumbling down the hillside, with a few poles and fences giving nice accents. Only needed some light and shade to model it I thought, preferably from the left.

Spring_Fields_watercolour
This is the result of painting for an hour or so. There is usually a moment, when I’ve blocked everything in, when I look at it and decide it’s just terrible and I should tear it up in disgust and just get back in the car and drive away, after all who am I kidding, right? Then after putting one or two flicks and shadows in, the picture (usually) starts coming together. I may have left it a little late in the day, towards noon, when lower angled shadows might have been nice, but I’m quite pleased with the outcome. I was after the bright, spring sunshine look, rendered in a fresh and simple way.

These elevated beach huts are at Frinton-on-Sea on the Essex coast. I really liked the battered but defiant appearance, and the very cool colours. Out of those that were painted, it seemed like only one or two were a colour other than blue/pistachio/cream….

beach-huts2-frinton-may-2014beach-huts-frinton-may-2014

For my large sketch I was interested in the repetition of the shapes and colours, reduced
to strips and blocks by the perspective, but the kids playing on the sand make the scene.beech-huts-frinton-bh-sunday-4-may-2014-watercolour

Rolling shadows

Here are two watercolour sketches of cloud shadows rolling across the new spring crops.
The high hedges of Holly Grove Road wind their way to the Hertfordshire village of Bramfield, passing farm cottages on the right hand bend, in front of a large field of rapeseed in full flower.
An irresistible yellow when in full sun, in shade the crop can appear almost greenish.
The clutch of roof angles together with the contrast between the purple-grey slate and
the saturating yellow caught my attention. There are calm pastoral scenes
still to be found in today’s agricultural landscape, but these pumped-up, urgent and vibrant scenes are now commonplace and dominate today’s countryside.

slate-and-canola-sm-crop-april-2014-wartercolour

On a Saturday morning in early March, the gently rolling fields near Tewin are silent, save for a light aircraft circling nearby and an early skylark rising to sing loudly behind me. The clouds pass by quickly, continuously changing shape, their shadows race across the land, throwing the field’s contours into contrast.
The tree covered green lane in full sun bends around and up to the wood, which is in full shadow just for a few seconds as cloud passes over.

shadows-tewin-watercolour-1-march-2014-crop

Spring lane

The lane winds downhill, right and left, and right again, then on up to the village.
The shadows from the copse throw themselves over the closely pruned hedge and across the field margin, dancing back and forth in the breeze. Walkers and horseriders are out enjoying this Saturday lunchtime stroll. This is one of those locations where there is plenty of potential for the landscape sketcher in
all seasons.
spring-lane-tewin-feb-22-2014-watercolour-crop

Water, water everywhere

A very wet July. Buttsbury ford, Billericay became a local attraction as the
rising water level rendered the road impassable for many days. Local
photographer Roger Whitlock and I payed a visit one evening. While Roj
set about capturing the evening sky I made this rapid sketch in watercolour
and felt tip, propping the sketchbook on my easel. I was interested in the
colours and the overall feeling of sodden, all pervading wetness, and that
river, road and lush vegetation all seemed to merge together.


I had no mixing water with me, but as I was stood in the wheat field with flood
water slowly rising up over my boots, I realised I could improvise! As a consequence,
the picture has a rough texture to it, which is the silt in the water dried onto the page.
Roj took this photo when I had started laying on the colour (See more on Roger’s
photostream by checking local photographer in the sidebar).

Alan by Roger Oct 2012
This pencil drawing was made a couple of weeks later, looking a little further
down the lane, with the river behind me.