Here are some line drawings from my sketchbook where I’m using a sepia coloured felt-tip pen to draw the scene. Quite a slow, deliberate process compared to my usual freer pencil drawings, and with a couple of these I found it useful to add some watercolour to ‘key in’
some of the spaces.
This first spread shows two drawings of a country road not far from home. I was interested in a graphic, linear shorthand to describe forms and textures. No need for a colour wash here.
Cat’s Hill Lane, Ludwell.
I spent the Easter break with family in Dorset. I’ve driven past this winding lane countless times over the years and only now decided to stop and draw it. The couple walking their dogs came from behind me and strolled down the lane. I waited until they reached the shed before sketching them in. I added some colour to the verges and meadows, including the far field where the cows are grazing.
This drawing is of a small stream winding its way through a copse in the spring sunshine. The bottom of the stream here is muddy but in other places it is stony and moderately fast flowing. In many places the water is only two inches deep, but there are some deeper pools where small fish find a decent living. I edited out quite a lot of ‘tree bits’ and settled for just enough to describe the overall look of the spot.
At the end of this small copse, the stream emerges and cuts across the green lane before
falling through the roots of a tree in a mini, noisy waterfall and creating a deepish pool, before continuing on through the hedgerow. I got the watercolours out for this one.
March 20th, late afternoon, a little weak sunshine and a cold wind. Still fully kitted out in hat, scarf and gloves (aiming to avoid any unnecessary discomfort) maybe I’m just getting old! This drawing is the same view from a little further to the right. I wanted to show the hedge curving uphill to the wood, from where a buzzard was mewing. Both of these were painted on the spot on 140lb paper.
The two sketchbook drawings below started out as felt-tip pen sketches and colour was added back at home. I like this method as it forces me to simplify things and the marks become more gestural and stylised. Also, I can’t seem to be able to “paint” landscapes indoors, I have to be out there, in the moment.
This picture was painted on another cold afternoon, but there was some sunshine. It’s a painting of not much at all, but the rows of young broad beans sweeping across the field lent themselves to the cause well enough. Apart from being a memory aid, I do see the
A pair of hornbills is often seen flying across to the high trees, and the occasional hawk or small eagle is seen wheeling in the middle distance. The raw sienna coloured soil fits perfectly with the lushness of the greens, and the moody grey skies hide the sun but not the humidity.
The call to prayer from the nearby mosque wakes me at five, the cockerels are crowing at six, and the gospel singing is rousing at seven…but there is no intention to stay in bed, there are new things to be discovered out there.
