Plein Air Painting: high sun diffused by thin cloud

Very often I see something of interest whilst driving. If I can stop – and it’s not always convenient or even possible – I will try a loose sketch and a quick phone snap as a reference. back in the studio I’ll work a sketch up in acrylics, pastel or a mix of media. Here I was interested in the effect of high sun diffused by thin cloud. Will this scene make a good painting?

More often though, walking familiar ground in different seasons, times of day and weather conditions is very revealing. The ordinary can become astonishing in a different light, and a touch of atmosphere can produce surprising changes of appearance, even in the most familiar scenes.

Below is a quick charcoal sketch drawn in a quiet lane in Hertfordshire. I was interested in the road disappearing into the wood beyond, guarded by the tree on the left, and although it had seen better days, I liked the shape against the flat sky.

Bramfield Holly Grove road,charcoal
Holly Grove Road, Bramfield, Herts. Charcoal sketch

A few days later I produced a larger version in acrylic in an A3 sketchbook. The flat but bright overhead light gives form to the hedges and reflects off of the road, and without painting the sky and leaving it as white paper, I seem to have captured the diffused glow of the scene.

Bramfield Holly Grove road, Acrylic sketch, sun diffused by thin cloud
Holly Grove Road, Bramfield, Herts. Acrylic in sketchbook, 2024

Familiar Ground

My local vineyard is familiar ground, drawing and painting there often. With this plein air acrylic sketch, I was interested in the arrangement of verticals and horizontals, with the support posts of the vines at uneven angles leading to the single apple tree in blossom. The flat bright light overhead reveals the crown of the handsome sycamore in the centre of the picture, with the farm in the middle distance and the Downs beyond.

May in the Vineyard acrylic sketch
May in the Vineyard. Acrylic in A3 sketchbook, 2024

I wasn’t sure I wanted to include the distant hill, so produced a charcoal drawing bringing the farm down
and altering the format to a more square proportion.

May in the Vineyard charcoal sketch
May in the Vineyard, charcoal sketch

The painting I ended up with had no buildings in the frame, and I opted to use painting knives instead of brushes. Two plein air sessions of about an hour and a half each, and some finishing touches in the studio completed the picture, and I like the effect of the high sun diffused by thin cloud.

May in the Vineyard, oil, 30x20 2024
May in the Vineyard, oil on canvas, 30×20″, 2024