Back to the ‘bend in the river’ theme. In the cold November of 2009
I took canvas and oils out to a spot where there was an ‘S’ bend in the
local river that attracted me with its lazy sweep around the corner,
flanked by thick vegetation with a backdrop of dark thorn bushes
and beyond them, a line of willow trees.
As I was in mid flow blocking in the painting I heard that distinctive,
high pitched single note whistle –a kingfisher was coming. I stopped
and waited and sure enough, the kingfisher came around from my left
following the curve of the bend, low to the water and near the far bank.
Always a delightful site, the kingfisher whistled again as it passed out
of site around the right hand bend in the distance.
I never finished this painting. It was very cold, and as soon as
either I’ve eaten or drunk all my provisions, or I start thinking
about a nice hot cup of tea and my hands are getting cold, it’s
time to either man up or pack up. On this occasion the
temptation was too great and I packed up and headed home!
I’ve just made a return trip to the same spot with a view to
finishing the painting, but some heavy fog made for a different
challenge. The subtle, veiled layers and muted colours of the
landscape make for great photographs, but I was interested in
what I could do with paint. Again a kingfisher flew down river,
this time closer to the near bank, and I did think about placing
it in the picture. I’m still tempted. You can see the dark paint
stroke I made at the time in the reflections of the vegetation,
to remind me of the line the bird took as it flew downriver.
With the new, foggy version I will probably leave it as it is,
but the scene will always be one where a kingfisher flew
round the bend.
In the older painting, I’ve placed the bright blue flash of the
kingfisher as it flew round the right hand bend in the distance.
I first scanned the canvas and applied my ‘kingfisher’ in Adobe
photoshop, to judge whether to apply to the real painting or not.
The jury is out.
Inspirational, Al.
Your work just feels right; it’s free to work on that emotional level where technique is natural and masterly. So there’s no barrier between the image and viewer. The images just hit you in the heart.